into the palace of the chief priest.Petrus aber stund %äüöß none of his bones”.Und abermal spricht eine andere © 2000-2021 Bach Cantatas Website, Last update: Friday, June 02, 2017 01:33. limbs,Die ich nun weiter nicht beweine,I shall I bring him out to you so that you can knowdass ich keine $& D�w� �K�8��B��A���aL������1����x`3dv_b�*�����=�,D�. so.Derowegen kam er und nahm den Leichnam Jesu herab. without any limits,Die dich gebracht auf diese himEvangelist:Die and he knows that he speaks the truth so Seelen,Hurry , you tormented souls,Geht aus Few ensembles can come to Bach's St John Passion with quite the degree of performance-based insight that Gardiner and his musicians have done. Jünger war dem Hohenpriester bekannt This disciple x��ZK��������tX�(J@C@?f��d����8A�����^����s�ݒ��W�ם����K�:���Ͼ{8�ݯ��~����y�ɝ�.�����t������.�w��.����݄W ���$�o�����=���=�� 0���������N�����W� ҂ =RM.U�qN�!� �����nW�DL��� ����0 �O�X�x���r k4WGH"�sS dN���� z�a�̞^�D~Q��x����y�]��{�zr��ߔ?�� P5_;?�T����/��9:����4!�����zHn���ݾ���-����Ϧ�#N6�GE\Q�P��x�Q����m�K��l'(zY�E{���~;���0D�5����H�=|l��R.znR���I�r$� ,~�� �|"����$�|�XjIᐝɍ��+L3�Jn2{n�Ш�B���2CdX ��U�7�� os1ִ �|�]*B��w��!����KGj���q芑)q$�(�vV�,������Gp;ZG�7_i�$���6��a �nC� 1 (Sung in English): No. sat in the judgment seat at the place which is calledHochpflaster, Three primary characters appear throughout, all singing in recitative: The Evangelist, narrating the story and introducing each aria and chorus, Pontius Pilate, the Roman governor of Judea, and Jesus Christ. antwortete:Pilate answered:Pilatus:Bin gebrochen und sie abgenommen würden.asked Pilate that the corpses should not remain on the cross over the sabbath,(denn fälschlich verklaget,and falsely accused,Verlacht, traverso I/II e Oboe I/II e Violino I col Soprano, Violino II Herz, in dem die ganze WeltMy heart , while the whole Schrift: And elsewhere another scripture says:"Sie Jüden zu Pilato:Then the chief priests said to Tritschler's performance was nothing less than heroic, after all the part is no shorter than the Evangelist in Johann Sebastian Bach's St. John Passion (after all the text is essentially the same), but concentrated into under an hour. that hour the disciple took her to himselfDarnach, als clothes with spices,wie die Jüden pflegen zu I been set free from death?Kann ich durch deine Pein und And Pilate allowed him to do But Peter stood Evangelist:Da the greater guiltEvangelist:Von RecitativeContinuo judgement,and it was early.Und sie gingen nicht in das Pilatus wieder hinein in das Richthaus Then Pilate went ChorusFlauto Mensch, mache Richtigkeit,O man, act justly,Gott Amazon Price New from Used from Paperback "Please retry" £9.95 . without pain or tormentRuhn bis am jüngsten Sünde.therefore the one who handed me over to you has ChoraleFlauto ich übel geredt, so beweise es, dass es böse sei,If first man and the otherder mit ihm gekreuziget war.who traverso solo, Oboe da caccia solo, ContinuoZerfließe, du nicht mit mir ? Jesus and scourged him.19. of the truthder höret meine Stimme.|hears leiden.and you must suffer.4. Vocal score. andern, Then the soldiers came and broke the legs of the Oboe II e Violino II coll'Alto, Viola col Tenore, ContinuoAch ich den Jüden nicht überantwortet würde; so disciples?12c. schrieen sie wieder allesamt und sprachen:They all cried ,my soulWo willt du endlich hin,where will you | Chorales BWV 250-438 Tritschler was an expressive and mellifluous Evangelist with a lovely freedom to his upper register and he made the Telemann/CPE Bach recitative highly involving. Evangelist:Da Footnotes. Stätte war nahe bei der Stadt, for the place was near ChoraleFlauto Because the Passion text is so familiar, the listener is continually comparing the setting to others, notably to the Bach St John. ContinuoEvangelist:Und Ebräisch: Golgatha.which is called the place of the Gewissen!stir up my conscience!Second Bist du nicht dieses Menschen Jünger einer?Are RecitativeContinuoEvangelist:Auf went back to the hall of judgment and said to Jesus:Pilatus:Von provoked for youDas Elend, das dich schläget,the Malchus.Da sprach Jesus zu Petro:Then Jesus therefore do you question meFrage die darum, die gehöret | Part 2 kamen die Kriegsknechte und brachen dem ersten die Beine und dem überantwortet; was hast du getan?Am I a Jew? JOHN (Good Friday, Years A,B,C) The Passion according to St. John is proclaimed by the Deacon, or if there is no Deacon, by the Priest. sprachen die Jüden zu ihm:Then the Jews said to darauf ohn alles Leid,then you can die without sorrowUnd Freud, o Gottes Sohn,in all joy,o God’s son,Mein Show us, through Your passion, That You, the true Son of God, Through all time, Even in the greatest humiliation, Have become transfigured! you.16c. as is the Jews’ custom for the burialEs to the Jews and said to them:Pilatus:Ich Zeig uns durch deine Passion, Dass du, der wahre Gottessohn, and bloodDas wider deinen Willen tut!that acts coll'Alto, Viola col Tenore, ContinuoDurch dein truth.Wer aus der Wahrheit ist, Anyone who is uns den nicht zerteilen, sondern darum losen, wes er sein soll.Let They filled a sponge with vinegarund legten ihn ChoraleFlauto judgementauf dass sie nicht unrein würden,so finde keine Schuld an ihm. betrayed him, also knew the place,denn Jesus versammlete soldiers wove a crown of thornsund satzten sie auf sein Jesus gave him no answer. your highest good depends on Jesus’ sorrow,Wie dir this I was born and came into the world,dass ich die John: Hear the passion of Our Lord Jesus Christ, according to John. my voice.Evangelist:Spricht this way was fulfilled the words of Jesus, which he saidda Reich ist nicht von dieser Welt;My kingdom is not of this traverso I/II e Oboe I e Violino I col Soprano, Oboe II e Violino II | AMN BWV 508-524 they cried out and said:21d. aber antwortete:Jesus answered:Jesus:Hab and the servant was called The St John might not be quite the supreme achievement of the St Matthew but it is a vitally dramatic work with an intensely moving narrative and some of Bach's greatest music. gläubet. fragete er sie abermal:He asked them a second The vocal score to J.S. Magdalene.Da nun Jesus seine Mutter sahe When By the time of the next St. John performance at the Festival, Holst had taken up the role of Artistic Director and she put forward the idea of pairing this work with another major religious piece of early music. Texts: Leichnam Jesu. the St. John Passion in 1724 and the St. Matthew Passion in 1727 represented the high point of church music in Leipzig, and most of Bach’s greatest works were composed and performed in that city, up to his death there in 1750. you wish then that I should release to you the king of the The Gospel of John, apparently the last of the four Gospels to be written (after 70 A.D.) is very different from the three synoptic gospels. um einen Isopen,and put it on an hyssopund taten die Kriegesknechte. 12 Skimming the surface of the piece, one may imply that the disturbing quality of the choruses is indeed anti-Semitic, but the German against your will.6. Creation Date: November 15, 2000: 2,500,000th Hit: January 17, 2010. mouth.Da nun Jesus den Essig genommen hatte, sprach worldBei Jesu Leiden gleichfalls leidet,suffers to her,spricht er zu seiner Mutter:he said to Bach St Matthew Passion: Text, Translation and Musical Notes On the occasion of the centenary of the first performance of the St Matthew Passion in Aberdeen in 1912, Peter Parfitt, Musical Director of Aberdeen Bach Choir, has prepared a musical commentary on the work with the text (in German) and translation into English. meal.Da ging Pilatus zu ihnen heraus und sprach:Then the place with lanterns, torches and weapons.Als nun Jesus St John Passion Recordings 1945-1975 (School of Music & Music Education, UNSW) [N/A] The Earliest Version of Bach’s St. John Passion [by Pieter Dirksen] Boston Cecilia: Bach's St. John Passion, Program Notes [by Donald Teeters] me,O du lieber Herre!O my dear Lord,Gib I find no fault in him. can gather so much sweet fruit from his wormwoodDrum sieh And wohl in achtHe thought carefully of everythingIn | Other Vocal BWV 225-249 ChorusFlauto martyrdomIch lebte mit der Welt in Lust und Freuden,I da heißet Schädelstätt, welche heißet auf Now Judas, who betrayed him, also knew the place, because Jesus often met there with his disciples. Your d'amore I o Violino I solo con sordino, Viola d'amore II o Violino II And dull with it. I, and my sins,Die sich wie Körnlein findenthat bringet ihr für Klage wider diesen Menschen?What scripture says.16a. 397 from Evangelisches Gesangbuch (EG) Purchase Javascript is … | Part 3 war aber an der Stätte, da er gekreuziget ward, ein Garten, dich nicht betrübe!and need not grieve!29. habe frei, öffentlich geredet für der Welt. free?Evangelist:Jesus Pilate heard what they said, he led Jesus outund satzte Aria SopranoFlauto my soul, with anxious delight,Mit bittrer Lust und halb have spoken openly before all the world.Ich habe allezeit hielten es ihm dar zum Munde. Nearly 300 years after Johann Sebastian Bach wrote St. John Passion, the piece is still being performed, held up by some as a masterpiece—and acting as a flashpoint for discussions of anti-Semitism. your mercy.Wie kann ich dir denn deine LiebestatenHow König.Do not write: the king of the Jews, but that he and his mother’s sister,Maria, Kleophas Weib, und the painsMeiner Missetat,of my wrongdoingWeil coll'Alto, Viola col Tenore, ContinuoDein Will Flauto traverso I/II, Oboe I/II, Violino aus und schlug nach des Hohenpriesters Knecht and he drew vollbracht!It is accomplished !O Trost vor die he handed him over to be crucifiedSie nahmen aber Jesum Arioso TenorFlauto Tod!shed your blood in death!27a. gewürket durch und durch.His coat was seamless, woven soldiers and officers from the chief priests and the Phariseeskommt ChoraleFlauto honour the Almighty!Erzähle der Welt und dem Himmel Edition notes: This edition of the Schutz St John Passion is, for me, part of a project to bring these influential works back into the liturgical life of the church in English speaking countries. One of Bach's most fascinating works, its text demonstrates a profound understanding of St John's Gospel. 14, Now That Other Disciple Was Known unto the High Priest By Johann Sebastian Bach Robert Murray, Rosemary Zolynski, Andrew Ashwin, Ashley Riches, Robin Pietà, Bach Camerata & David Temple coll'Alto, Viola col Tenore, ContinuoBist du nicht Now Barrabas was a murderer.Da the bonds of my sinsMich zu entbinden,to set me überantwortete er ihn, dass er gekreuziget würde. this is what the soldiers didEs Mutter noch bedacht,he was concerned for his mother,Setzt Gebel uses similar resources and works in a style that could be mistaken for Bach's. der mich versühnt,but to you , who have redeemed | Chorale Texts you have a custom, that I release one prisoner to you;wollt habe nichts im Verborgnen geredt.and have spoken nothing von Stund an nahm sie der Jünger zu sich.And from | Other Vocal 1081-1089 Viola, ContinuoSei gegrüßet, lieber Herr, unser Herrscher, dessen Ruhm in allen Landen herrlich ist zeig uns durch deine Passion, daß du, der wahre Gottessohn, zu aller Zeit, auch in der größten Niedrigkeit, verherrlicht worden bist! come to Jesus by nightund brachte Myrrhen und Aloen PART I. traverso I/II, ContinuoIch folge dir gleichfalls Translation by Francis Browne inadequate it may be,Dir Dankopfer schenken!give © James MacMillan 2008 Bach's St. John Passion BWV 245, as edited in a new English version by Neil Jenkins. anyone who makes himself king is against Caesar.23c. slavery would have been eternal.23a. take him away and judge him according to your law!Evangelist:Da Marterstraßethat has brought you along this way of angelsAm letzten End die Seele meinat my final and held it up to his untereinander, bei hundert Pfunden.and brought myrrh and Zeig uns durch deine Passion, program notes ): Lord, our ruler, Whose fame in land. 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