This website uses cookies to improve your experience while you navigate through the website. Melodic pop and 80s music - especially for you. She wasn’t signed by Clive Davis at Arista Records because she didn’t look like Whitney Houston or sing like Celine Dion. Work boots. Despite its low-fi production, Exile in Guyville roams giddily all over the pop landscape. And then they would go in there and figure out a part and then do it. [5] The recipients of the Girly-Sound tapes circulated copies with other early fans.[6]. I do recall there being no lack of candor and if someone wanted to do something, we tried it. Though a consummate songwriter, Liz Phair is best known for her pre-Lilith feminist leanings. [4], In the summer of 1991, Phair wrote and recorded songs on audio cassette tapes, which she circulated in Chicago using the moniker Girly-Sound. [9] When asked during an interview with Noah Adams on his radio show All Things Considered about the concept, she elaborated: "It was a state of mind and / or neighborhood that I was living in. Enter Liz Phair, standing all of five feet two inches tall, with a foul mouth and a renegade image. Phair’s influence extends to Kim Gordon of Sonic Youth and groups like the Breeders and L7, and to a lesser extent, Alanis Morissette and Tori Amos. Originally, Phair's recordings were supposed to come out on Henderson's label. I wrote the whole album for a couple people to see and know me."[7]. Exile in Guyville is biting, from the smart jangling guitars that kick off the album to the wonderful train wreck that accompanies the end of the final cut, “Strange Loop.” Phair is not blessed with a great voice, but her flat, sometimes emotionless delivery, coupled with biting lyrics, packs more punch than any earnest-sounding singer could possess. Originally, the album cover was largely collage based and involved "a fat lady in a pool". But I had a hunch, and I called her back and said okay."[7]. Liz Phair’s Exile In Guyville Album Cover Lacks The Flair Of Her Original Idea. 196 on the Billboard 200 and was Matador's most successful release at the time. This release is an extensive, limited edition 7-LP or 3-CD box set to celebrate the anniversary of her classic album. Liz Phair is a US singer-songwriter and guitarist. Exile in Guyville, her gold-selling debut album, was enthusiastically praised upon its 1993 release, and spawned a rash of imitators during the following years, particularly American female singer/songwriters. Re-Mastered Special Edition Includes Three Unreleased B-Sides and Special Guyville Redux DVD of Liz interviewing all the original "guys" of Guyville. Phair was also responsible for a great part of the artwork design. Phair eventually sought the mainstream, employing songwriters that had penned hits for such pop stars as Avril Lavigne, but Exile in Guyville, her response to the Rolling Stones’ Exile on Main Street, is just as much a classic as the precursor was. Exile in Guyville is biting, from the smart jangling guitars that kick off the album to the wonderful train wreck that accompanies the end of the final cut, “Strange Loop.” Phair is not blessed with a great voice, but her flat, sometimes emotionless delivery, coupled with biting lyrics, packs more punch than any earnest-sounding singer could possess. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Liz Phair is a Grammy-nominated singer-songwriter whose debut album, Exile in Guyville, has been hailed as a landmark of indie rock. Gerard Cosloy, co-president of Matador, stated that "We usually don't sign people we haven't met, or heard other records by, or seen as performers. You also have the option to opt-out of these cookies. About Liz Phair. Girls! Despite the outcome of the recording sessions, Henderson tipped off Brad Wood that Matador was interested in Phair. After the early sessions with John Henderson, Liz Phair started working with producer Brad Wood at Idful Studios, in 1992. Phair commented, "It's odd... Guyville was such a part of indie. It’s been 15 years since the release of the groundbreaking Exile in Guyville – and Liz Phair is marking the occasion by returning to her roots. Guyville, because it was definitely their sensibilities that held the aesthetic, you know what I mean? [26] Absent from the reissue are the two Girly-Sound demos "Shatter" and "Fuck or Die," as Phair was unable to get the samples used in both songs approved. Liz Phair explained the concept of the album on a Billboard article, stating that "For me, Guyville is a concept that combines the smalltown mentality of a 500-person Knawbone, KY.-type town with the Wicker Park indie music scene in Chicago, plus the isolation of every place I've lived in, from Cincinnati to Winnetka". Two years later, Somebody's Miracle, Phair's fifth album (and final album with Capitol Records), was released. Phair’s albums, particularly her 1993 debut “Exile in Guyville” and the follow-up “Whip-Smart,” have influenced two generations of young female singer … Rated #87 in the best albums of 1993, and #3868 of all-time album.. When Matador was contacted by Phair in 1992, they signed her. This is Behind The Cover, brought to you by Pure Music Manufacturing.This is a feature where we explore the background of the music and cover art of … The album, which was out of print, was again available on CD, vinyl and, for the first time, in digital format. These sessions were thereby very different from the recording sessions with John Henderson. VH1 named Exile in Guyville the 96th Greatest Album Of All-Time. However, when Phair signed to Matador, she sublet an apartment close to the studio, which simplified the process. The press put it out there that Liz Phair’s Exile in Guyville was a song-by-song reply to the Rolling Stones’ ultra-macho Exile on Main St. but I was too entranced to keep track. The reissue was released on June 24, 2008 in the United States and on August 25, 2008 in the United Kingdom. ", Phair has also stated that most songs on the album were not about her. She tosses aside all traditional songwriting models; sometimes the songs have no chorus, and sometimes there’s just a chorus and nothing else. It was ranked 15 in Spin's "100 Greatest Albums, 1985–2005". For decades, men have been able to do pretty much anything in rock music, from Bob Dylan’s less-than-stellar voice and looks to John Lennon’s use of the f word in “Working Class Hero.” By comparison, women have had to be more demure, relying on pretty faces and spectacular voices to succeed on the charts. She began her career in the early 1990s in Chicago by self-releasing audiocassettes under the name Girly-Sound. Your email address will not be published. The interior artwork is based on that of Lopez Tejera's 1952 album "The Joys and Sorrows of Andalusia". Phair reacted to the reception of Guyville, saying "I don't really get what happened with Guyville. The reissue consists of the original album remastered and Phair's three Girly-Sound demo tapes, marking the first time that the full set of demo tapes would become available for official purchase. The songs "Fuck and Run", "Never Said" (as "Clean"), "Girls! The album received widespread critical and commercial success. [3] In 1999, Pitchfork rated Exile in Guyville as the fifth best album of the 1990s. [22] In 2020, the album was ranked #56 on Rolling Stone's list of 500 Greatest Albums of All Time. Required fields are marked *. Guitar, Vocals – Liz Phair: 2:03: 15: Johnny Sunshine Bass – Tony Marlotti Drums, Backing Vocals – Brad Wood Guitar, Vocals – Liz Phair: 3:27: 16: Gunshy Guitar [Sick Guitar] – Brad Wood Guitar, Vocals – Liz Phair: 3:15: 17: Stratford-On-Guy Drums – Brad Wood Guitar, Vocals – Liz Phair… I laid down the guitar, and then I would just tell them what kind of song it would be and what kinds of instruments we needed to do. Liz Phair broke through the scene in 1993 with her debut Exile in Guyville, blending her indie rock sound with a blunt lyricism that didn’t shy away from subjects that … Originally released in 1993 on Matador Records. On the previously mentioned “Shatter,” the guitar sings for a full two-and-a-half minutes before she begins singing. Official site . Initially, she sent out only two tapes, one to Tae Won Yu from the band Kicking Giant, and the other to Chris Brokaw. Includes EXILE IN GUYVILLE (double remastered LP) ... An extensive booklet containing an oral history by Jason Cohen including interviews with Liz Phair, Chris Brokaw, Brad Wood, John Henderson and more, an essay by Liz Phair, and an essay by journalist Ann Powers. LIZ PHAIR’S 1993 DEBUT full-length album, Exile in Guyville, didn’t ask permission to rock; she just kicked out a space for herself among all the young dudes. What’s left are raw emotions. Wood stated, "We did two or three evenings of recording just for fun where we tried to discover something. If Exile in Guyville is shockingly assured and fully formed for a debut album, there are a … Soon she moved into his apartment and started playing her songs to him. Eventually, engineer Casey Rice joined Idful and started working with Phair and Wood as she had no band of her own. The sudden success of the album also generated a somewhat negative response from Chicago’s indie music scene. I was in a posing kind of mode, yearning to have things happen for me that weren't happening. Liz Phair was apartment-sitting in Chicago, thumbing through a box of cassettes, when the Rolling Stones’ Exile on Main Street caught her eye. Exile In Guyville By Liz Phair. So I wanted to make it seem real and convincing. The intense… More about Liz Phair [7], The term Guyville comes from a song of the same name by Urge Overkill. [citation needed] In 2008, Phair stated it was originally "an orgy of Barbies floating in a pool",[8] a concept that Matador rejected, stating that such artwork wouldn't sell. Actually we just played our parts separately. “Exile in Guyville” is indie rocker Liz Phair’s debut studio album, released in June 1993 by Matador Records. On “Fuck and Run,” Phair, who lives in Chicago, manages to sound both wistful and pissed off. This website uses cookies to improve your experience. “And whatever happened to a boyfriend / The kind of guy who tries to win you over?” she laments in “Fuck and Run.” And on “Shatter,” she sings, “Just being with you slapped me right in the face / Nearly broke me in two.”. ", Brad Wood provided a different recording approach, structuring the drum patterns and bass lines around Phair's vocal phrases and guitar riffs, instead of recording the rhythm section first and then layering the guitars and vocals on top. This kind of guy mentality, you know, where men are men and women are learning." Eventually, a Girly-Sound tape had made it to the head of Matador Records. On March 31, 2008, Pitchfork Media announced that Phair had signed a new deal with ATO Records and that her first release for the label would be a special 15th Anniversary reissue of Exile in Guyville, featuring three bonus tracks from the original Guyville recording sessions and an accompanying DVD about the album's creation. OLE 051-2; CD). It was sort of guy things - comic books with really disfigured, screwed-up people in them, this sort of like constant love of social aberration. Guyville Redux features Phair and all the people involved with the album, recounting its making and describing the male-dominated, Chicago indie music scene of the early 1990s. Liz Phair's 'Exile In Guyville' Live Fifteen years after it was released, Exile in Guyville still resonates — if not for its faded shock value, then for its brilliant songcraft. About Liz Phair. And on “Strange Loop,” the cacophony that builds at the end makes you lose sense of the cadence before Phair tones down the noise and her guitar finds the rhythm again, singing happily and giving us hope amid all the catharsis we’ve heard on previous songs. From Liz Phair's Girly-Sound To Guyville: the 25th Anniversary Box Set, released May 4th, 2018 from Matador Records. Growing out of the American underground of the late '80s, Liz Phair fused lo-fi indie rock production techniques with the sensibility and structure of classic singer/songwriters. Her signature guitar, which she is often seen playing (and is prominent upon the cover of her self-titled fourth album), is a Fender Duo-Sonic II. It is mandatory to procure user consent prior to running these cookies on your website. The MP3 download ONLY INCLUDES THE GIRLY SOUND TAPES. She commented, "That stuff didn't happen to me, and that's what made writing it interesting. I was yearning to be part of a scene. All tracks are written by Liz Phair, except where noted. The reissue was released on May 4, 2018 in four formats; the physical LP box set, the digital deluxe edition, as well as cassette and CD pressings. Phair has stated, "We both wanted something for me. On March 15, 2018, Phair revealed that her former label Matador Records would be reissuing the album in celebration of its 25th anniversary. Exile in Guyville is the debut studio album by American singer-songwriter Liz Phair, released on June 22, 1993 by Matador Records. By the spring of 1994, it had sold over 200,000 units, peaking at No. Liz Phair Wrote the Book on Fucking. On the wistful “Explain It to Me,” she plays her guitar over a slow tom-tom; “Canary” features an echoing piano that plays while she sings with tongue firmly planted in cheek, “I come when called / I come, that’s all.”, With the lo-fi production — it sounds almost like Phair plugged in her guitar, pressed record on her tape player, and started playing — she is allowed to be honest, stripped bare of any artificiality. These cookies will be stored in your browser only with your consent. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. It’s a joyous moment. The resulting album was released in 1993, receiving widespread critical acclaim. A recording of Phair's version of "Wild Thing" (based on the melody of The Troggs song) was planned for inclusion, but dropped at the last moment; the song was later included on the "Girlysound" disc of Phair's "Funstyle" album.[25]. 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